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Hilal English

Heritage Beyond Stone: The Living Traditions of Pakistan

April 2025

While the world marvels at Pakistan’s historical landmarks, its true legacy unfolds in the unrecorded ballads of nomadic singers, the fading art of calligraphy, and the rhythmic claps of Sufi qawwali performances that echo through centuries of devotion and resilience.



Pakistan's cultural legacy is often celebrated through its majestic historical monuments—Mohenjo-Daro's ancient ruins, Lahore Fort's grandeur, and the intricate Mughal-era mosques. Yet, beyond these physical landmarks lies an equally profound and dynamic heritage: the intangible cultural traditions that breathe life into the nation's identity. From storytelling to folk music, indigenous craftsmanship, and spiritual festivals, Pakistan's living heritage represents a vibrant tapestry of cultural continuity. These traditions passed down through generations, not only preserve the past but also shape contemporary cultural expressions. This article explores Pakistan's rich intangible cultural heritage, emphasizing its significance in shaping national identity and preserving these traditions for future generations.
Storytelling and Oral Traditions: Echoes of the Past
Dastangoi and Sufi Narratives. Pakistan’s oral storytelling traditions, such as Dastangoi (epic narration), have long served as vessels of history, folklore, and moral wisdom. This centuries-old art form, once prevalent in the Mughal courts, continues to captivate audiences through modern adaptations and performances. Alongside Dastangoi, Sufi narratives—often shared in poetry and prose—convey spiritual and philosophical lessons that resonate across generations.
Folktales of Regional Legends. Legends like Heer Ranjha, Sassui Punnhun, and Umer Marvi embody the collective consciousness of various regions. Adam Khan Durkhanai is considered a timeless Pashtun love story preserved through oral tradition and written accounts. These folktales, rooted in themes of love, sacrifice, and destiny, have been preserved through oral transmission, theatrical performances, and literary adaptations. They reflect the values and struggles of different communities, ensuring that indigenous wisdom remains relevant. Moreover, these stories hold spiritual significance.1
Folklore serves as a valuable source for compiling the earliest written records on the history of Sindh, Punjab, Khyber Pakhtunkhwa (KP), and Balochistan, offering deeper insights into the communities of these regions. It reflects qualities such as loyalty, patriotism, endurance, fearlessness, steadfastness, and intellect, embodying the time's social, cultural, and moral values. These narratives also provide a glimpse into the people's psychology during that era. For instance, the story of Marui conveys a powerful message of independence and patriotism, reminding us of the significance of these sentiments in times of national adversity. As historical sources, folklore helps us understand the social structures of past societies, preserving their traditions and collective consciousness.
Indigenous Languages as Cultural Vessels. The survival of oral traditions is deeply intertwined with language preservation. Sindhi, Pashto, Balochi, Punjabi, and Brahvi, among other indigenous languages, serve as repositories of historical narratives and cultural wisdom. The spoken word remains essential in safeguarding identity, particularly for communities striving to preserve their linguistic heritage.2
Ethnologue, a comprehensive reference to global languages, reports that 77 languages are spoken in Pakistan. This database is managed by Summer Institute of Linguistics (SIL) International, an international organization specializing in linguistic research. Hindko is widely spoken in Peshawar, Kohat, and the Hazara division, particularly in the districts of Abbottabad and Mansehra, where it is the dominant language. It is also the second most spoken language in KP. Meanwhile, Gujari (or Gojri) is the primary language of the Gujar communities residing in northern and southern Pakistan.
Poetry as a Living Legacy. Poetry in Pakistan is more than mere literary expression—it is a living tradition that continues to shape cultural discourse. Sufi poets such as Bulleh Shah, Shah Abdul Latif Bhittai, and Khushal Khan Khattak have left poetic legacies that transcend time and geography. Their verses, often performed through music, reinforce themes of divine love, humanism, and social justice, influencing contemporary artists and audiences.
Sarmast, a polyglot poet, had mastery over multiple languages, including Sindhi, Punjabi, Seraiki, Hindi, Urdu, Persian, and Arabic. His poetry was rich with visaal (union) and birha (separation) themes and deeply rooted in Sindhi metaphors and similes. This linguistic diversity reflects the fluidity of languages in the region, where, until the 1860s, no specific religious community exclusively claimed ownership of any language. Over time, however, linguistic identity became intertwined with cultural and religious distinctions, shaping Pakistan's evolving poetry heritage.3
Folk Music: The Soul of Pakistan’s Cultural Identity
Regional Melodies and Instruments. Pakistan’s diverse folk music is distinguished by its unique regional sounds and instruments. The Rabab (Pashto), Alghoza (Sindhi), Sarangi (Punjabi), and Boreendo (Balochistan) each contribute to the country's distinctive auditory heritage. Handcrafted using traditional methods, these instruments produce melodies that evoke emotions tied to folklore, nature, and spirituality.
Sufi Qawwalis and Kafi Poetry. Sufi music, particularly Qawwali and Kafi, has transcended regional boundaries to become a global phenomenon. Icons like Nusrat Fateh Ali Khan and Abida Parveen have played a pivotal role in popularizing these genres, keeping centuries-old traditions alive through mesmerizing performances. The lyrical depth of Qawwalis and Kafi compositions continues to inspire audiences with its mystical and philosophical undertones.
Cultural Festivals and Music Gatherings. Festivals like the Lok Virsa Festival and Sindhi Ajrak Festival provide platforms for folk musicians to showcase their craft. These gatherings celebrate cultural diversity, bringing together artisans, musicians, and audiences in a shared appreciation of heritage. Such events also serve as crucial avenues for intergenerational transmission, ensuring that traditional music remains accessible to younger audiences.
Fusion of Folk with Modern Trends. Contemporary musicians have successfully blended folk elements with modern music, making heritage relevant for younger audiences. Collaborations between folk singers and mainstream artists have introduced traditional sounds to global audiences, reinforcing that cultural preservation does not necessitate stagnation but creative evolution.
Traditional Craftsmanship: The Art of Time-Honored Skills. 
Handwoven Heritage: Ajrak, Phulkari, and Ralli. Pakistan’s indigenous textile traditions represent centuries of craftsmanship and cultural symbolism. Ajrak (Sindh), Phulkari (Punjab), and Ralli quilts (Sindh and Balochistan) are not just fabrics but storytelling canvases, showcasing regional motifs and techniques passed down through generations. Each piece carries historical significance, often linked to social rituals and identity.
Truck Art: A Moving Canvas of Culture. Pakistan’s truck art has become an internationally recognized symbol of cultural expression. Adorned with intricate floral patterns, poetic verses, and portraits of heroes, these moving artworks serve as mobile galleries of traditional craftsmanship. Beyond their aesthetic appeal, they reflect the fusion of folk motifs with modern artistic sensibilities.
Pottery and Blue Tiles of Sindh. From the Kashigari (blue pottery) of Multan to Hala’s intricate ceramics, pottery remains a vital craft reflecting artistic heritage. The elaborate tilework, particularly seen in Sindh’s shrines and architectural sites, highlights the region’s deep-rooted artistic traditions. These crafts continue to evolve, incorporating contemporary designs while preserving age-old techniques.
Wood Carving and Brass Work. Intricate wooden jharokas (balconies) in Punjab and handcrafted brass utensils in Peshawar exemplify Pakistan’s rich artisanal traditions. These crafts, requiring immense skill and precision, remain an integral part of local heritage, with artisans striving to keep their professions alive despite industrialization’s challenges.
Indigenous Rituals and Festivals: Celebrating Cultural Diversity
Kalash Festivals (Chilam Joshi and Uchal). The Kalash people of Chitral celebrate seasonal festivals such as Chilam Joshi and Uchal with music, dance, and rituals that reflect their unique identity. These festivals offer a glimpse into an ancient cultural heritage that remains distinct yet deeply connected to Pakistan’s diverse landscape.
Sufi Urs Celebrations. The annual Urs (death anniversary) of Sufi saints, such as Lal Shahbaz Qalandar (Sehwan) and Data Darbar (Lahore), attracts thousands of devotees. These spiritual gatherings, marked by devotional music, dance, and communal prayers, reaffirm Pakistan’s deeply ingrained Sufi traditions.
Baloch Sword Dance and Pashto Attan. Traditional dances like the Baloch Chap and Pashto Attan symbolize cultural pride and communal celebration. These expressive art forms passed down through generations, serve as a means of cultural continuity, uniting communities in rhythmic storytelling.
Harvest Festivals. Agrarian festivals like Basant (kite-flying festival), Shandur Polo (high-altitude polo tournament), and Lok Mela celebrate the country's rural traditions. These events provide entertainment and strengthen the connection between people and their ancestral customs.
Reviving and Preserving Living Heritage for Future Generations
Role of Digital Media and Documentation. With the rise of digital platforms, initiatives such as online archives, podcasts, and documentaries play a crucial role in safeguarding intangible heritage. By documenting oral traditions, folk music, and artisanal crafts, digital media ensures that cultural expressions remain accessible to future generations.
Integrating Cultural Heritage into Education. Incorporating folk tales, traditional music, and indigenous crafts into educational curricula can instil cultural appreciation among younger generations. Schools and universities can play an active role in promoting heritage awareness through interactive learning experiences.
Community-Led Preservation Efforts and Institutional Support. Empowering local artisans, storytellers, and musicians through financial aid, tourism initiatives, and training programs is essential for cultural sustainability. Organizations like Lok Virsa, the National Institute of Folk Heritage, and UNESCO-backed initiatives play a vital role in preserving and promoting Pakistan’s intangible heritage.
Pakistan’s heritage is not confined to its ancient ruins or architectural marvels—it lives in the voices of its storytellers, the melodies of its musicians, the hands of its artisans, and the spirit of its people. Recognizing and promoting these living legacies is not just about preserving the past; it is about nurturing a dynamic and evolving heritage that continues to inspire, connect, and define Pakistan's future. By embracing and celebrating these traditions, we ensure that Pakistan's cultural soul survives and thrives, enriching generations with its wisdom, creativity, and resilience.


The writer has done MPhil in Peace and Conflict Studies from National Defense University, Islamabad. 
E-mail: [email protected]


1. “Cultural Archetypes of Indus valley in ‘Legends of Indus’ by Samina Qureshi”, Addaiyan Journal of Arts, Humanities and Social Sciences, https://www.academia.edu/110514213/Cultural_Archetypes_of_Indus_valley_in_Legends_of_Indus_by_Samina_Qureshi 
2. Zubair Torwali, Preserving and Promoting Endangered Languages of Northern Pakistan in a Digital Age, published in December 2020, https://www.researchgate.net/publication/348169903_Preserving_and_Promoting_Endangered_Languages_of_Northern_Pakistan_in_a_Digital_Age 
3. Ayesha Jalal, “Self and Sovereignty: Individual and Community in South Asian Islam Since 1850”, 102, https://dl.islamic-sources.com/en/filebase/E-Books/Humanities/Self-and-Sovereignity.pdf